Listen Live
Wizard Radio Media - Films

61st BFI London Film Festival: James Gilmore's Highlights

14th October 2017 | Films

61st BFI London Film Festival: James Gilmore's Highlights

The BFI London Film Festival is always the highlight of our October every year.

Over the past few years, we’ve discovered films such as Trolls, Arrival, Saving Mr Banks and many more which have had box office success. However, it’s also those independent films which you may not otherwise be able to see which make the festival such a highlight.

As this year’s festival comes to a close, James Gilmore discussed his highlights from this year’s event.

Broadcasted exclusively worldwide on W!ZARD Radio Station.

James Gilmore's BFI London Film Festival Highlights

As the 61st BFI London Film Festival draws to a close, James Gilmore gives his highlights from this year's festival. (4 minutes)

61st BFI London Film Festival: Thoroughbreds Review

13th October 2017 | Films

61st BFI London Film Festival: Thoroughbreds Review

Perhaps one of the less expected treats to come out of the BFI London Film Festival is Thoroughbreds - what happens when two rich girls with something ‘not quite right’ team up to get through adolescence.

Set in Connecticut, USA the film centres on Amanda (played by Olivia Cooke) and Lily (played by Anya Taylor-Joy), two teenage girls who, at first, seem to be worlds apart.

Amanda (who has recently committed a shocking act and is essentially in isolation) is emotionally empty and distant – so her Mum sets her up with old friend Lily… an awkward encounter. However, what at first is a forced coming together of old friends (one who has seemingly grown into a psychopath, and the other has become a perfect student) becomes a reigniting of old friendship, and perhaps unexpected similarities.

And death, that’s included too. Well, murder – well plotted murder.

Perhaps the best feature of this is the shift in characters; how director Cory Finley makes two worldly different characters seem so similar as the film progresses. Even in their one-dimensional, emotionless state both characters are so multi-dimensional and intriguing; you can’t help but wonder what they’re up to even after the film ends.

With an official release in March 2018, Thoroughbreds may be the film of the year that is able to make the indie-to-mainstream cross-over in a similar way to ‘Boyhood’ a few years ago.

It’s evil, it’s smart and it’s layered beyond belief – Thoroughbreds should not be missed.

5 STARS (out of 5)

61st BFI London Film Festival: The Final Year Review

13th October 2017 | Films

61st BFI London Film Festival: The Final Year Review

Living in the Trump Presidency seems scary. It feels like this era has lasted for years, yet it’s not even been a year since Donald Trump assumed office. At the BFI London Film Festival, Greg Barker follows President Obama’s foreign policy year for The Final Year.

Boasting a highly influential cast: Ben Rhodes (Deputy National Security Advisor for Strategic Communications aka Obama’s Speechwriter), Samantha Power (US Ambassador to the UN), John Kerry (Secretary of State) and Susan Rice (National Security Advisor) alongside President Obama himself, Barker successfully counts down the final year of Obama’s Presidency – showing what was actually happening behind the scenes whilst the team were attempting to make their final big breakthroughs before the Presidency ended.

The documentary is inspiring and – whilst being very biased – does give an accurate look into what life must be like with that level of power. There are very few instances where the Presidency is seen as being “flawed”. Whilst these staffers are undeniably heroes to many worldwide, the film only lends a few moments to incidents such as Ben Rhodes’ controversy, when he said that all journalists of the White House Press Core “know nothing”.

Another bum note of the film is how it seems to systematically ignore the looming doom of Trump’s Presidency. Whilst there are a couple of scenes on the night of the election, and the thoughts thereafter, before then it fails to properly address the White House’s thoughts and feelings about what may be about to come.

Whilst looking back isn’t always helpful, The Final Year shows what better days, with a properly functioning White House, looks like – perhaps a set-up replicated by the next President?

Despite the obvious bias and missing key news events…