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Interview with Emma Earle

23rd December 2015 | Theatre

Interview with Emma Earle
Based on the popular book by Richard and Florence Atwater, also made into the Hollywood film starring Jim Carrey.

At of the many children's musicals in the West End (and just off the West End) this Christmas season, none is more creative than Emma Earle's new production of Mr. Popper's Penguins.

Painter and decorator by day, Mr Popper spends his time dreaming of Antarctic adventures. So, he is astounded when one day a packing crate arrives on his doorstep, out of which waddles a penguin!

With songs, puppets and a family of performing penguins this enchanting musical production suitable for all the family.

James Gilmore interviewed director Emma Earle about why she decided to turn this legendary story into a musical and how adaptations are made.

Broadcasted worldwide, only on W!ZARD Radio Station.

James Gilmore interviews Emma Earle

James Gilmore interviews Emma Earle about her production of Mr. Popper's Penguins and how adaptations are made.

Interview with Owen Guerin

5th December 2015 | Theatre

Interview with Owen Guerin
The Gruffalo is everybody's favourite children's story by Julia Donaldson & Axel Scheffler.

Join Mouse on a daring adventure through the deep dark wood in search of a nut, meeting the cunning Fox, the eccentric old Owl and the party mad Snake on the way. Will the story of the Gruffalo save Mouse from ending up as dinner for these wily woodland creatures? Armed with only a nut map and a little courage, Mouse must outwit them all, and after all, there's no such thing as a Gruffalo - is there?

As we all know, yes there is. And, naturally, James Gilmore interviewed him.

The Gruffalo has been touring successfully for 15 years, performing in 14 countries and 5 continents. It has played twice at the Sydney Opera House, twice on Broadway, once at the National Theatre and had seven West End seasons.

It's also set some records - in 2013, the ‘tallest actor in the West End’ played The Gruffalo/b> at The Lyric Theatre, Shaftesbury Avenue and in 2012 The Gruffalo did a skydive, raising almost £4000 for charity.

Now, direct from Broadway, The Gruffalo returns to the West End.


In this laugh-out-loud interview with Owen Guerin, who plays The Gruffalo in the West End, James Gilmore asks about the 'perks' of being The Gruffalo, the initiation process and more.

Broadcasted worldwide, only on W!ZARD Radio Station.

James Gilmore interviews Owen Guerin

James Gilmore interviews Owen Guerin about his new role playing The Gruffalo at the Vaudeville Theatre in London's West End. They talk about the perks of the job, play 'Would You Rather' and more.


Don't miss The Gruffalo at the Vaudeville Theatre, West End from the 15th December 2015 to the 3rd January 2016.

Review: Derren Brown's Miracle

18th November 2015 | Theatre

Review: Derren Brown's Miracle
Derren Brown's theatrical experience is truly something that should not be missed.

The fourth time I've seen the self-confessed anti-mind reader live (Svengali twice, Infamous two years ago and now his latest offering - Miracle) and the hype still hasn't dropped.

The order of events is the same: Everybody nervously shuffles into the Palace Theatre (the grandest theatre in London, and perhaps the only one which can contain the excitement around a Derren Brown show) - hoping that they won't be the target of one of tonight's tricks; The set is unvailed roughly 15 minutes before the show starts and then, as the clock strikes the hour, the mystery man himself walks on stage.

Miracle centers around two main ideas: The source of happiness and Christian evangelical miracle work. The show is a mix of comedic segments (a major part of Derren's productions which we don't get to witness during his TV specials) which, this time around, are less mind-blowing than previously, and breath-taking 'feature pieces' which are real talking points afterwards.

Well, they would be 'talking points' if you hadn't pledged allegiance to Derren during the show that you wouldn't spoil the show for others - which is totally understandable considering the fact that a major part of the show's excitement is the idea of 'mystery', something which doesn't deserve to be spoiled.

However, it would be difficult to call this Derren's finest hour. Although it isn't far off.

Maybe it's because this production seems to be less serious (with more comedic elements) than ones past but there were much fewer 'OMG how on earth did he do that?' moments than we remember having in Svengali and Infamous. Saying that, we still can't work out how any of the tricks were done…